9 Writing Jobs For All Experience Levels

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Look who’s become a little photoshop pro 🙂 Lost on what writing jobs are out there? Look no further!

You’ve told your parents, friends, and pets that you’re going to be a writer when you grow up and they’ve all given you that look of pity that roughly translates to You’re never going to move out, are you? You want to write for a living because as much as you love writing, you don’t want to do it for free (and you shouldn’t have to), but what are your options?

When people think of professional writers their imagination only goes as far as novelists before it taps out, but there are so many paths to choose from on the writing track.

Tell your parents there’s no more need to worry that you’ll be performing your poetry on the street in exchange for a bite of someone’s hamburger- although that might be an upgrade to what you’re currently selling your writing for.

Here’s a list of freelance writing positions for writers of all experience levels and education levels; these jobs rely primarily on your capabilities as a writer and ability to sell yourself.

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Online Content Creator

If you’re here you probably already do this, but may not even know it. Content creators create original content for online audiences, these are typically blog and article writers. This content can be to inform, sell a product, or simply to entertain. A lot of popular blogs hire out their work to freelancers, whether it be travel, food, or fashion blogs. Next time you’re on your favorite blog or website see if they have a “submit” or “contribute” tab on their website. Most sites will have this somewhere unless they exclusively hire staff writers.

Copywriter

Copywriters are often confused with content writers because they have similar duties of creating content to inform the masses. Copywriters differ slightly because their writing is aimed at generating interest and trust while calling the reader to action, this can be in the form of direct emails to customers, product descriptions, or landing pages to name a few.

Copy writing is one of the more lucrative writing jobs because it directly affects a business’s sales. Good copy means more sales for the business, and more money and recurring work for you.

Technical Writer

Technical writing is one of the harder fields to get into without some relevant education in marketing, experience, or knowledge of the product because of the amount of research required for the job. Technical writers enable readers to use a specific product or complete a task by transforming complicated information into simple terms and delivering it through manuals, safety instructions, how-to guides, and FAQs (Frequently Asked Questions). If an activity needs a certain skill to perform, a technical writer lurks somewhere behind.

This path is especially profitable if you already know the area you’ll be writing for, otherwise you’ll spend a lot of time researching. If you don’t have the slightest idea how a H-VAC system works, don’t think you can learn about the product while you’re writing about it.

Press Release Writer

When companies need to let their customers and clients know something newsworthy such as upcoming events, new products, and sales –  that’s where press release writers come in. Writers can get press release writing jobs by pitching directly to companies or looking on job boards. Be aware that some clients may also want you to distribute the press release. I personally don’t do press releases, but have heard other freelancers say they prefer just to write the release and if they distribute it, they offer it is an extra service.

Editor

Editors can do as little as fact check and remove any errors in spelling and grammar, all the way to completely rewriting a customer’s work for overall quality and clarity. The kind of editor you can become is dependent on your experience and writing skill. Editing is a good job for you if you’re extremely attentive to detail, as you’ll have to read and edit a piece thoroughly multiple times before sending it back to your client as complete.

Proofreader

A proofreader is an editor’s underappreciated ginger stepbrother. Editors and proofreaders have a lot of similar duties, and because of this an editor may also be a proofreader, but typically a proofreader will stick with checking spelling and grammar.

You do not need a qualification to be a proofreader but it is helpful to learn some of the standard skills by reading or taking online tests to see where you stand.

Magazine Freelancer

Magazine freelancers pitch articles to editors and if approved can make a nice sum and get recurring work. This is especially good for travel writers and those who like journalism.

It can be difficult for new writers without clips to break into magazine writing because effective pitching does not come without practice. Start by pitching to smaller publications online, your local publications, and student newspapers so you stand a better chance of landing article and getting clips to build your portfolio, then shoot for those bigger magazine-fish. Online magazines usually have a “submit” or “contribute” section on their site, too.

Ghostwriter

Ghostwriters write for other people, typically books and articles, but give up all rights to the work once finished. This has it’s positives and negatives. For one, because ghostwriters do not get any credit for their work, they usually get paid more for it. The negative is that because you are giving up the rights to your work, you can’t include it in your portfolio or resume.

Ghostwriters have an extensive background in freelance writing and maybe a book (or ebook) of their own published; having the extra notch on their resume won’t significantly change their chances at getting a job, so ghostwriting is a win all around for them. New writers aren’t likely to get a ghostwriting job and probably don’t want to because it won’t be able possible to include it as experience.

Videogame Writer

I recently saw a job to rewrite the rules for a sex dice game and knew I’d picked the right industry for me. Videogame writing is great for those of us who love fiction writing, and is unique because it involves working very closely with a team. I’m working on a videogame right now and learned that there is a lot of communication and even more rewriting as the project goes forward. Overall, videogame writing is one of the most creative of writing jobs because there is a lot of free reign with dialogue, plot, and scenery (as long as it fits with the game play).

There you have it: real writing jobs that pay real money, mama would be proud! I hope this has shed some light on the ever-elusive professional writing career. A lot of these job’s duties overlap, so if you qualify for one you’ll probably be able to do another, and another. And (especially in the beginning) you’ll need to do some juggling of jobs in order to get the ball rolling into a proper check. The kind that takes care of rent and bills and other grown up words.

I’ll follow this up next week with a post on exactly how much money freelance writers make in the United States, especially in those terribly expensive cities like Los Angeles.

Have you done any of these jobs or care to share your experience as a freelance writer? Are there any other jobs that should go on this list?

 

 

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An Update on My Writing

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Photo: my little editing corner

Otherwise titled Life and Other Things That Get in the Way Of Writing.

I was planning on posting a short story this week but sacrificed my usual writing time for a little bit of a social life, and now look what happened – no stories! This is exactly why having a schedule is important. It’s hard to get family and friends to understand that writing takes up a lot of my time (especially since I’m not getting paid to do it), so whenever I tell them I’m going to be busy writing at a certain time, they think it’s something that can be put off until later. It’s really frustrating, but probably something I should speak up about more. Or maybe it’s good to live in the world every once in a while if you want to write about it. I don’t have much of a creative mind this morning so I’ve been tackling an old revision that I’ve been avoiding like the plague. Black tea, smooth tunes on the radio, and an early smoking session have eased the pain, though, and it’s been fun to revisit the story.

My creative writing class starts up again tonight so hopefully that’ll put the fire back under me. Last semester I was churning out stories like no one’s business, but this semester I want to focus on one or two longer pieces so I can get more feedback on story arc, character development, and narrative from beginning to end. I haven’t started the story or got a particular one in mind, but have been thinking about a theme focused on the ways people let each other down. We’ll see how it goes. In the mean time, when I do post a story here it’ll be flash fiction so I don’t get too distracted from my main project, but will be a nice break.

Well, that’s an update on my writing – not much. Maybe I’ll make this a monthly post, just to check in with myself and flesh some new plans out.

Have you got any short term writing plans? Do you sometimes have to sacrifice writing for actual social interaction and life-living? How do you balance the two?

Craft Quote #8 – Overcoming Writer’s Doubt

In keeping with receiving criticism and the writer’s super power of growing several layers of dragon scales for skin, is a quote that I read in On Writing by Stephen King. I highly recommend it to all writers, especially those in the early stages of writing and discovering their voice. Although this quote doesn’t necessarily relate to the writing process, it’s a regular occurrence for artists and can lead to self doubt and impostor syndrome – both of which negatively effect the ways we write.

A lot of us keep our writing in the closet (or our blogs) because of the reaction we get when we reveal to someone that you’re a writer and gasp plan to write full time for real money and no you’re not delusional. The general misconception that the only way to make money as a writer is by being a novelist with an absurd amount of luck, doesn’t help either.

Prior to saying this, King mentions a teacher scolding him for wasting his talents writing junk. I’m sure she went on to face palm herself into oblivion, but it goes to show how even someone who is now The Stephen King got more than a few sideways looks for spending his time writing short stories for fun and then for money. It takes confidence to be a writer and this doesn’t come quickly, especially when there can be a lot of having to justify why you’re doing it. I’m a nurse’s assistant and just recently started telling my co-workers that I stopped taking courses for nursing to pursue freelance writing instead, many of my co-workers are very supportive and want to read my blog, while others tell me to go back to nursing school because there’s no way to make a living as a writer. I used to run through a list of ways writers can make a living, but came to the realization that that was a real waste of my time.

Getting involved in the blogging community and indie writer community has been a great way for me to build confidence and “meet” other writers who are either exploring their voice or doing what I aim to do, which is a constant inspiration. Seeing writers do what so many consider impossible is motivation to carry on in your own work, and learn how to just (as the vernacularly challenged say) do you.

How do you cope with nay-sayers? Do you keep your writing online or are you vocal about it with people you know? Why do you think everyone and their mother has an opinion about you being a writer?

Review: Homegoing by Yaa Gyasi

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Photo: Goodreads

“We believe the one who has the power. He is the one who gets to write the story. So when you study history, you must always ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there, you begin to get a clearer, yet still imperfect, picture.”

Yaa Gyasi’s hugely successful debut novel, Homegoing, is an epic tale of a family tree splintered by the Gold Coast’s booming slave trade; one branch is sold into slavery while the other remains in war torn Ghana. Beautiful half-sisters, Effia and Esi, live in separate villages and are both unaware that the other exists. At fifteen, Effia is made to marry James Collins, an Englishman and slaver, and lives with him in the comfort of the Gold Coast castle. Esi’s fate takes a different turn when she is captured by Ghanaian warriors and sold into slavery; she lives in the dark, soiled, dungeon of Gold Coast castle, unknowingly under the footsteps of her half sister, until she and thousands of other slaves are shipped to the United States. Sweeping 200 years and several generations from 18th century Ghana to the plantations of the American South, the coal mines in Alabama to the Great Migration, to the heroin epidemic in Harlem, and up until today, Homegoing is a massive undertaking that explores relationships, religion, how our inherited history forms identity, and the search for home.

Like Gabriel Marquez’s One Hundred Years of Solitude, or more recently, Junot Diaz’s The Brief Wondrous Life of Oscar Wao, Homegoing tells the heart wrenching story of multiple generations of one family, and does exceptionally well in only 300 pages. “How can I tell you the story of your scar without first telling you the story of my dreams? And how do I talk about my dreams without talking about my family?” one character says, setting us up for a plethora of family stories of separation and longing. The book reads like a series of interconnected short stories as chapters switch between Effia and Esi’s descendants, allowing for only a few pages for them to stand out, grab our attention, and tell their story, but Gyasi’s beautiful storytelling and ability to write deeply emotional scenes allows for that short span to be enough. There is a family tree at the beginning of the novel for reference, but it is seldom needed because Gyasi writes so clearly a character needs only to speak for a few lines before you’ve been placed in their shoes and know who their parents and grandparents are. Although the entire story is great, the first half of the book is particularly gripping because Gyasi spends more time establishing each character. As the story continues and the family get further away from Effia and Esi, the chapters shorten – there’s still a connection to the characters, but noticeably less.

Homegoing takes the slave narrative and gives it a much needed revamping by telling as much of the story as possible, focusing more on Africa (it’s involvement in slavery and the effects it had on the people still living there) than books of this sort usually do. Gyasi explores relationships between parents and their children, particularly mothers and daughter, and fathers and sons. There is a pattern of hard, unloving mothers, some through their own bitterness and others through slavery, and Gyasi writes about how this hardness trickles down their daughters. Esi, who used to smile and fill a room with her laughter, is broken down to the point that when her daughter Ness thinks of her, she only draws up the image of “the gray rock of her mother’s heart. She would always associate real love with a hardness of spirit.” This dovetails to the splintering of family in the United States, where Esi’s descendant Willie has raised her son alone, only to find that he’s grown to be as “absent as his own” father. Some of the most enjoyable parts of the book are seeing exactly how one thread leads to another; how one person’s actions affect the family down the line. Homegoing comes full circle with a character inspired by Gyasi’s life – Marjorie. Like Gyasi, Marjorie moves with her family from Ghana to Alabama and instantly realizes that although she has the same black skin as African Americans, she is “othered” because she is a different, far too distant to feel at home in the United States. Here is when we see a culmination of history, the people who made it, and how we are all children of that shared history.

Gyasi reached for the stars with this epic family story and she writes with confidence and clarity most authors only muster up after a few successful novels. Homegoing is a must read that will open eyes to a whole new spectrum of the slave narrative.

Have you read Homegoing? What did you think of it? Are you planning on reading it?

The 5 Stages of Receiving Negative Criticism

A while ago, my creative writing professor said although he liked the first part of a story I had handed in to him, the last two parts seemed gimmicky. After five minutes of white noise and rapid eye blinking I thought, for a man who makes a living choosing the right words you’d think he’d come up with something a little less harsh. But harsh words or not, he was right, although it took me two weeks of grief to understand why.

Getting feedback on your work is essential to produce a good story. We like to think that we can take constructive criticism on the chin (especially when it’s positive), but when we’ve coddled a beloved story for months, edited, and tucked it in bed, it’s hard to deal with negative feedback. Seasoned writer or no, you’re likely to go through these stages when a story you’ve written isn’t received as well as you thought it would be.

Denial

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You don’t like my story? I know you’ve had years of training, write professionally for a living, and have published several novels, but you obviously have no idea what you’re talking about.

Anger

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For every red mark you’ve left on my work, I will kill you.

Bargaining

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Okay, my story is kind of terrible. If I could just write one amazing book I promise to drink you once a day for eternity. That’s how all the good writers do it anyway, right?

Depression

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It’s true, I’m a phony with no talent. I’ll start looking for a real job as soon as I’m through wiping my tears with the pages of my unfinished novel.

Acceptance

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Okay, I wrote a bad (really bad) story, so what? I’m going to take your feedback and those red marks all over my pages, and turn them into something awesome.

Sometimes things are best said in GIFs. I think I’d be more accepting of negative comments if they came in GIF form. 😀 When was the first time you had to deal with negative feedback on your work? How do you deal with the red mark of death?

Craft Quote #7 – Why Perfectionism Killed Your Story

If I waited for perfection, I would never write a word. – Margaret Atwood

The first draft of anything is shit. – Ernest Hemingway

These quotes come at a time when I’m making several revisions to a short story from four or five months ago. Last week I was eager to edit. I got the story out of my desk, edited the first paragraph thirty-odd times, then stuffed the papers back in the drawer deciding my time would be best spent job hunting – I’d worked five months and produced excrement, and worst of all, at one point I’d actually thought it was good. I was suffering from two things all writers go through at one point or another; a disconnect from my work because so much time had passed since the last edit, and feeling stagnated because I was editing my story with the aim of perfecting it.

As writers, we’re all guilty of trying to make our stories perfect because we have a particular message we want to convey, but what is perfection anyway? When does refining become a vice?

Writing is art; personal and an expression of self, so is constantly evolving and is impossible to perfect, so why are so many of us aiming for the impossible? The idea of what makes a flawless story changes as often as our minds do. Constantly judging your writing in pursuit of perfection ends in frustration and chasing your creativity down a hole to writer’s block.

Perfectionism puts a wrench in your writing mojo so, why do we spend so many weeks, months, and years editing and re-editing, in pursuit of it? I think the greatest reason is fear. Writing is incredibly personal, even when you’re not writing about something personal. You write, edit, pour hours into a story and wonder what people will say when they read your work. What will my friends/family think? Will my editor like it? What if no one gets what I’m trying to do? All of these questions rise up and choke the life out of creativity.

Aiming to write a well though-out, clear, soul-filled story is a good thing, but writing for perfection is a hindrance on creativity and productivity, because you’ll be editing with no end in sight.

Some ways I deal with my occasionally overcritical eye are to

  • Try not judging work while in the middle of writing it. Save judgement for later drafts, the first one is just a place to get your ideas onto paper (or screen). Think of creating your story like painting; start with broader strokes and then go back to refine, not perfect.
  • Write first and foremost for you, not any potential readers you think may be out there.
  • Set realistic deadlines to complete work. If you like to keep track of projects in stages; set a deadline to complete your outline, then a first draft, and so on. Having a set time to finish leaves no space for endless edits.

Chasing perfection hurts the creative process, but is something all writers (even the ones you admire and can do no wrong) struggle with. Next time you find you’ve micro-edited a paragraph for the umpteenth time, take a break then come back to the work with a mindset of writing without judgement, and free of the worry that someone is looking over your shoulder.

Do you find yourself struggling for perfection, or leaning on any other vices that stop you from writing? How are some ways you combat the need to aim for perfect writing? How long do you work on a project before deciding enough is enough? Let me know in the comments!

Organizational Tips for Writers; How To Prioritize Like a Boss

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Photo: Josh Ginter

When I realized I had a solid date and plan of action for becoming vegan, but no deadlines or real plan for how I would achieve my writing goals, I took a long look at myself in the mirror, wiped the pizza grease off my mouth and said, Minelli, your priorities are fucked. It’s easy to claim the title as a writer, but what happens next? How do you land that writing job or actually finish that collection of poems you’ve been harping on about for so long? I’m a naturally disorganized person, but when I took my “temporary” hiatus from college it wasn’t long before I found that I could not carry on this way and expect to get anywhere in writing, professional or otherwise.

I’ve had more on my plate writing-wise with trying to post more frequently and taking on a few projects. I’m working with two illustrator friends and my husband (who’s a 3D modeler) to create a small videogame, and I am writing the content and story. I am also finally (finally) editing Melancholia in Molasses for my creative writing class that recommences at the end of the month. It’s been so long since I’ve touched my 5500+ word count story and there’s still so much that needs to be done. Outside of those more elective activities, I have been working on my professional writing; refining my resume, applying for freelance writing jobs, writing proposals and cover letters left right and center. It’s impossible to get through anything without some pre-planning.

Staying organized saves time so you’re more productive and able to stay on top of different projects. Fiction writers have to organize outlines and find writing time outside of their day jobs; while freelance writers have to be on top of their schedules, clients, research, and due dates. Here is a list of organizational tips (and helpful links) to prioritize your writing life like the boss you’re trying to be.

Cleanliness is next to productiveness

Did you know productive writers are God’s favorite children? Clean that desk or dining table (or the bed you use as a table) so you have a de-cluttered space to write and you will be highly favored. Oh, you don’t have a designated place to write? It’s better to be a Starbucks cliche than have no place to write at all.

Your Messy Desk is Hurting Your Writing Career. Here’s How to Declutter

Set a large goal, then establish small steps to achieve it

You can’t become a novelist and freelance writer extraordinaire without a (realistic) plan to get there. Set smaller goals to achieve larger ones so you can measure progress and stay motivated.

Writing a long story? Establish daily word count goals and log how many you complete.

Looking for writing jobs? Establish a weekly goal of how many you will apply to, then send out proposals/resumes daily to break application time into manageable sessions. No one likes spending hours searching jobs and emailing resumes (unless you’re a resume writer, bless your soul if you are).

Goal-Setting For Freelance Writers: A Crash Course

Get all of you work in one place

Organize as much of your work as you can electronically and take advantage of apps like Evernote or Google Drive. These apps are great for planning stories and articles, taking notes, planning your schedule, saving images, and everything is automatically synced to your electronic devices. This means you will never have to wait until you get to your home or office to find out information for a client, or the details of a story you’re writing. I personally prefer Google but know many people like Evernote’s interface and ability to save articles and images with their original links and references.

How To Use Evernote for Fiction Writing

Set a schedule (AND stick with it)

Life does not need to look like a planner and mine often doesn’t, but when you’re a freelance writer it’s good if your life resembles some of the rigidity of pre-scheduled days. I’m hardly a fan of them, but if you expect to get a job writing you might as well start acting as if you’re doing it already (my ideal workplace is cat friendly and pant-free, so that is the work environment I perpetuate at home). For creative writers, use your schedule to plan writing around your work schedule.

Do more creative/time consuming projects first

Unless you have something that needs to be done right away or a meeting that has to be attended, start off with the more creative tasks. Our brains are the most alert in the morning so it’s a good opportunity to tap into those creative juices before they’re all drained from other activities. If you don’t work with creative writing, do the harder and more time consuming tasks first rather than leaving them for last – you have to do it regardless, why let it weigh you down at the end of a long day?

Don’t take on every project

You will be tempted to, but if you do you’ll likely take on too much, get burned out, and leave a terrible impression on any clients you’re working with. How productive is it to start a fourth short story when you’ve barely pieced together the second and haven’t revised the first? I know; you’re a writer, you’re broke and motivated, but that practice is not productive. It’s easy to get excited once you get the ball rolling on a story or when the job interviews start rolling in, but the more you do the less time you can spend doing one thing very well.

Take care of yourself, too

I mentioned acting as if writing is your job (if that’s where you’re trying to take it), but remember it’s not just any job-it’s the job you want. Have you had enough sleep, food, and water? If not you’ll be fatigued and won’t make it past noon without several cups of coffee to help you keep up the work. Remember to take breaks, fifteen minutes to every hour, rather than working like a Hebrew slave for hours in a row. Most of us have day jobs; I work 7am-7pm three days out of the week so do not write (or even think about writing) on those days. I’m off four days in the week and spend three of those days writing from 9-4ish. Work on a write-work-life balance that doesn’t burn your out, hopefully these organizational tips will help along the way.

 

Here’s to productive work and no burn out! Do you have any tips for getting organized? Let me know in the comments!