Since I’ve started writing more I’ve noticed that when I’m not confident about my writing or the direction a story is taking, I add filler words to doll up sentences. As if more words will make for a better story. It doesn’t, and usually it’ll make it worse.
Adding unnecessary sentences and words that don’t move the story forward is a common mistake a lot of new or unsure writers make while they’re still gaining understanding of what exactly it is they’re trying to say. They often think they’re following the lead of accomplished writers whose work is dipped in extended metaphor, but fail to see it’s purpose in moving the story forward. Extended metaphors and lyrical language are useful supports to the bare bones of narrative, but overuse (and misuse, with passive language) dull the impact of a story.
As fiction writers, we’ve done half the job when we’ve told a clear story in it’s most basic forms, without any extra words or events that don’t add to or move the story forward, but this is something a lot of writer’s, including myself, struggle to do. Here are some ways I avoid unnecessary language.
- Since a lot of this is sparked from self-doubt, remind yourself that the first draft is exactly that, a draft – a preliminary version of a piece of writing – not a finished product. Use the first draft to tell the story from beginning to end, and use later drafts to add in all those bells and whistles of imagery and trim whatever other fat that can be spared.
- Remember, a story is not primarily a place to demonstrate your literary prowess. It is also not primarily a place to explore character. Everything in a story should be there to teach the reader something important and push the plot along, not stagnate it for a few moments of your brilliance.
- Ask yourself, what organically feels like part of the story and what stops or distracts from that flow? and Could I say this in less words? when reading over your work.
I find that keeping these in mind while combing through my second and subsequent drafts helps bring out the core and most powerful parts of a story, and cuts out what doesn’t have that effect. I hope you find these helpful, too.
Have you got any tricks you use to make your writing more powerful? Do you struggle with writing what you mean? Who are some authors you enjoy that don’t mince words?