While scrolling through my wordpress reader I came across Longreads Top 5 Longreads of the Week. Longreads is a blog that regularly posts excellent content for writers and this week they linked to a compilation of articles focused on how to plot a novel, in it is a fun article that provides an encyclopedia of every kind of literary plot (ever) including examples of books that use that specific device effectively and plot devices that used to work before the technological age took over. It offers plenty of useful links and is well worth the read if you’re interested in playing around with any of these plots for your own stories.
Here are a few author’s responses to whether they believe plot should be a center device in novels:
There are commandments that the storytelling community generally agree on; thou shalt write daily, thou shalt not plagiarize, thou shalt not use adverbs in vain, but there are many parts of the writing process that go disputed between it’s disciples. The decision of whether to use plot as a main story driver (rather than characters or the writing itself) depends on the individual, what they are writing, and who they are writing for.
While plot is necessary for certain types of genres like detective mysteries, other genres have more freedom when it comes to letting prose, character and emotion drive the story alongside minimal plot. I agree with Grace Paley (poet and short story writer) in that all stories have a plot that sets us in a time, place, and situation, but plot is best utilized when playing a small role in a story rather than a central part in it. I also agree with Bret Easton Ellis (author of American Psycho) when he says that without plot there still must be a banal entity “to keep it [the story] moving forward”. As a reader I enjoy stories that leave me in expectation, which can come from the right words, descriptions of place, and emotions. An example of a writer who does this very well is Cormac McCarthy. His stories are rarely more than a hero’s (or anti-hero’s) journey pushed to new levels because of descriptive writing that draws in readers. In the end you don’t care too much about what’s happening because you’re in it for everything else.
Do you lean towards plots or prose (or anything else) as a center of a story? Do you know of any authors who write this way that you enjoy or don’t enjoy reading?